Can you, short of an earthquake hold a pose? Are you willing to be centre stage for long periods of time? Are you comfortable having your body parts talked about? Can you be the object of intense scrutiny by a roomful of people for at least an hour?
Many years ago the art teacher at the international school in Hong Kong where I worked, sent out an e-mail asking for volunteers to serve as a model for a drawing class. I was a little hesitant. Wasn’t I too old?
Then I read the story of Lala Lezli, a former dancer with the celebrated Martha Graham company, who modelled for California artists for fifty years. She was still working as a model when she died at age 92. I wasn’t too old to be a model.
I also found out art students need to learn to draw real people, not just the idealized human form. Models should be of all ages, races, shapes and sizes. Indeed when I hesitantly replied to the art teacher’s e-mail I was surprised by his warm response. He’d be happy to have me, model.
I asked if I should wear a special outfit, but the art teacher suggested I dress in a normal way. I’d read models should come prepared with interesting poses, but the art teacher had a pose in mind. He wanted me to sit on a chair on the elevated platform at the front of the room. He even arranged my feet and hands and told me which direction to turn my face.
I walked into the class as the teacher was giving final instructions and was quickly seated so the students would have a maximum amount of time to work. It was surprisingly easy to sit still for an hour. I had a good view of the drawing tables and was fascinated by the progress being made on the dozen different images of me emerging on paper across the room.
It was interesting how each of the students perceived me in a slightly different way. No two sketches were the same. Just like in life, I thought. No two people perceive us in the same way and we have to accept and indeed appreciate that.
Other posts …….